Several compositions were created as part of the research project - including “The Reef”.

With its oceanic topic and use of data sonification as a composition technique, “The Reef” is closely related to my works “El Canto del Mar Infinito” (2020) and “La Danza Invisible del Agua” (2021). The work is based on a sample recorded at Thailand's Mu Koh Lanta National Marine Park. Being somewhat limited in its spectral composition, the excerpt consisted of a swimmer proceeding towards a coral reef. Furthermore, the sample’s procedural structure would lend itself as the dramatic arch of the composition. Upon finishing the composition process, a MIDI rendition served as reference for the video artwork created by the visual artist Andre Veloux. Its abstract visual surfaces follow the music in a detailed manner: on top of serving as a structure of the musical composition, the timing of the original sound recording also informed the structure of the live visuals. The video element of the premiere was created by assigning colours to different hexadecimal bytes of source code of sound files of the piece, producing colour bar codes. These were then combined to create the video work. Andre used the Lego colour palette to facilitate the creation of physical artworks from these colour bar codes. 

The goal of this series of works discussed above is to draw attention on the importance of protecting our marine environments. Together with the real-time video artwork, the music of “The Reef” paints a picture of the gradual damaging that pollution causes to the coral reefs. However, with the help of computer-based analysis, also the vivid colors of such ecosystems were translated into music, giving us a gleam of hope. Maybe it is not too late to do something?